A multi-disciplinary designer’s journey in field recording, sound design, sound effects, and music.

Review: NextoDI NVS1501 Backup Device

Posted: December 1st, 2012 | Author: | Filed under: field recording, gear

The Nexto DI NVS1501 is a burly, professional, and pricey way to back up flash media in the field without a host computer.

[Editorial note: This is an expression of my opinions about this piece of equipment. It was purchased and not provided by the manufacturer. I have no relationship with any company listed below.]

There aren’t many options available for in-the-field, no-computer backups for those of us recording to flash media, like Compact Flash cards, Memory Sticks, and SDHC cards. The most readily-available solutions are usually oriented towards photographers, focusing more on being digital photo albums than professional devices that makes our data more secure, and sometimes only accept JPGs, not arbitrary file types (like, oh, say, .wav files). Some devices, like the Sound Devices 700 series field recorders, will let you write to two pieces of media at once, but what about trips so long that you might need to reclaim CF card space? Or the other devices that we bring with us, like cameras, which can’t do that? Or the majority of trips that I take where carrying a laptop is more hassle or risk than it’s worth?

Enter Nexto DI, a little-known Korean manufacturer of field backup devices oriented towards filmmakers and cinematography digital imaging (DI) technicians. I decided to try the Nexto DI NVS1501 in its 500GB size as a field backup device for four specific pieces of media-capture gear, which could all be in my kit on some trips: the Sound Devices 702 field recorder, the Sony PCM-D50 handheld field recorder, the Canon 7D DSLR, and the GoPro HD Hero 2 POV camera.

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The Noise Jockey Data Storage Guide, Part One: Hard Drives

Posted: July 14th, 2011 | Author: | Filed under: gear

Bits and bytes are mighty tasty. How does one store them for maximum freshness?

Portrait of the Artist as an IT Professional

Artists, designers, composers, mixers, and audio folks of all stripes must be conversant with the tools of their trade, and in this digital world, that means playing some role in managing hardware and software. This is where your hard-won creative output of blood, bits, and tears will be stored…and possibly lost.

This article is meant to help frame the challenge of selecting hard drives for one’s own home studio. I’m no IT professional, but I’ve been dealing with digital multimedia production for nearly 20 years, so I’ve at least got some perspective as a creative professional. I’ve seen my share of hard drives literally catch fire, glitch out, play the national anthem, and just simply stop working, sometimes one a day for three days in a row. I’ve had to manage IT issues from single machines to small clusters to an entire small studio. What follows, then, is what home-studio creatives of all stripes should consider when thinking about storing their creative output on hard drives.

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