A multi-disciplinary designer’s journey in field recording, sound design, sound effects, and music.

Bar Walla

Posted: November 12th, 2012 | Author: | Filed under: field recording, sound design

The Uptown, Mission District, San Francisco. Photo source unknown.

The Uptown is the closest bar to my office, and is a classic Mission District hipster dive bar. One hot, Indian Summer day in the fall, it was filled with patrons, windows flung open…but the jukebox was off. And everyone was concentrated by the bar and front door, leaving the back area empty.

Anyone who tries to record diffuse crowd sounds, or “walla,” knows that this is a golden moment. Human voices, but little intelligible conversation, no background music, not too far away from the noise source. I ordered a beer, sat as far away from everyone as I could, and started rolling on my handheld recorder.

I did a little trickery by taking a segment of the recording, swapping the left and right channels, and layering it with another segment, to effectively double the number of people in the room. Luckily there wasn’t too much background noise to also get multiplied. Perhaps not the most interesting of moments on its own, but the little details of the cash register ring, squeaky door hinges, and the general density of the human sounds represents (to me, anyway) a surprisingly hard-to-capture scene without the intrusion of music.


[Sony PCM-D50 recorder, capsules at 120°]

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